Reubens in Boston: Our Trip

(Photo courtesy of the Cedar Point Weather Cam May 25)

Those of you who follow me on twitter will know that we not only drove out to Boston for the Reubens this year but we had a series of adventures on the road. As Tom Racine said, "It's not the Reubens, it's The Amazing Race!" And I have to admit it felt like a road trip movie at times.

Why did we drive? Well, largely because we decided to take our three kids with us.

Which meant that flying would be waaaaaaaay too expensive. (Plus, Richard Thompson was hoping I would take some of my homemade chocolate truffles - try explaining those to airport security).

Another wrinkle was that the Fairmont Copley Plaza, nice though it is, does not have a swimming pool. And we have a daughter that is still young enough to be interested in swimming and considers any hotel without a pool to be unworthy of consideration. Since we couldn't provide said pool at the Fairmont, it became important to find pool containing hotels to stay at on the way there.

To further the "fun family road trip" vibe we decided to spend one of our travel days whooping it up at Cedar Point.

An ordinary trip, right?

Not in the insanity that is our current weather.

Everything started out fine as we headed over to spend the first night with family in Indiana. We had watched the weather reports for Ohio (location of Cedar Point) for a couple of days and knew that thunderstorms were a possibility. But I was thinking, oh you know, thunderstorms.

Not THUNDERSTORMS.


As we left Indiana Wednesday morning, May 25, the sky was clear. In fact, pretty much all the way over to Sandusky things looked pretty decent. We got into the park at opening time and divided up into smaller groups (the better to be sure of roller coaster bravery compatibility levels). I do remember saying to everyone - "Be sure to ride your favorites early before the bad weather moves in".

It was great. No storms, lots of fun roaming the park. We breathed a sigh of relief that the weather folks had been wrong and we had dodged a bullet.

Somewhere after lunchtime, things clouded over and got ugly but the rain stopped and within 30 minutes everything was up and running again.

Until about 5:00 pm.

I don't remember what it was that caught my attention - maybe it was the wind picking up - but I looked to the East and saw the biggest, blackest, fastest moving cloudbank I've ever seen in my life. We all managed to find each other (the up side to each family member having a cell phone) and began looking for a place to take shelter. Which is when I realized something I hadn't thought about before.

Amusement parks don't have basements.

So we settled for the next best thing. The oldest building we could find - my reasoning being, if it has weathered horrible storms before, it can again.

We crowded into the arcade with hundreds of other park visitors and hunkered down. And it was a good thing because this was one of those storms where the rain goes sideways. Worse, every time I peeped out at the sky the clouds were going in a different direction. At one point the clouds overhead were actually swirling in a circle.

I was pretty sure that was bad. We stayed put.

But we couldn't stay there forever. Eventually we took advantage of short breaks between rain and worked our way from shelter to shelter toward the front of the park.

Which is how we wound up trapped in the gift shop below the cable cars. Turns out there was enough rain to cause serious flooding and the water was coming in under the doors on both sides of the shop. The employees were valiantly trying to push the water back with giant squeegees but I know enough about gravity to realize (although they didn't seem to) that this was a battle they were not going to win.

So we sloshed our way out through shin deep waters and made a break for the parking lot. This was a trip of about a quarter mile. I started by running as fast as I could - hoping that somehow less time underwater would magically make my Reebocks less saturated - but eventually I gave up and just plodded the rest of the way.

Once we made it to the van we still had to get out of the flooded parking lot without stalling and then over the causeway to the mainland (Cedar Point is on a peninsula - hence the word "point" in the name).

After about 10 harrowing minutes driving through water of undeterminable depths, we safely got to the highway and proceeded to Cleveland and our warm, dry hotel.

Except it wasn't.

The hotel entrance was flooded, half the parking lot was flooded, and there were actually puddles in the hotel hallways. I will decline to mention the name of the establishment (I plan on filling out one of those "rate your stay" emails, though) but I was shocked at the level of disrepair in a hotel of this price and stature. One of the elevators was out of order, the pool area was a disaster of cracked tiles, peeling paint, and peeling floor, and water seemed to be leaking into every area. The bar, the hallways, the rooms. By morning a leak had appeared in our room right where my daughter's bed would have been had she opened the sofa bed. As it was she chose to sleep on the sofa as a sofa and remained dry. While I realize this was a storm of above average rainfall, it was clear from the damage to the ceiling, walls, and carpet that this hotel has had water issues for a loooong time.

Watching the weather channel we could see that everywhere we had to drive for the next two days would be in the path of one storm or another. Ugh!

Thursday we headed to Albany with fingers crossed and a van full of wet, smelly shoes, dodging the corners of the storms. Finally, at about 3:30 our luck ran out and we were caught in a doozy with quarter to half dollar sized hail.


I'd like to take a moment to thank all the folks on the radio who said we should take shelter.

Where?

We're on a highway we've never traveled before in between cities and towns we know nothing about. Are we supposed to just pull into the first driveway we find and ask strangers to take us in?

So we just kept driving. Until the hail came and it got so bad we had to at least pull over to the side of the road, put on our flashers, and cross fingers that no one would run into us.

The hotel in albany was actually warm and dry so we finally got some rest and recuperation while the storms kept up outside our window. (Still couldn't get those shoes dry, though, and they smelled worse every day).

Friday we made it to Boston and 3 days of beautiful storm free weather. Two days after we drove back west, tornadoes touched down in three towns we had passed.

And now that we are back in Wisconsin, they have found us again - last night we had storms with winds of 100 mph.

I wonder if someone is trying to tell us something........

Next post: Boston and the fabulous Fairmont Copley Plaza Hotel!

Arnold and Caroline Roth meet Tom Gammill

This year, as last year, Tom Gammill was the master of ceremonies for the Reuben Award Banquet. Along with presiding over the evening in general, he produced a series of short videos that were nothing short of hilarious. I'll be doing a long post about the Reuben weekend in general next week but, in the meantime  Tom, Arnie and Caroline have graciously given me permission to post this particular video. It will eventually be available on youtube as part of Tom Gammill's "Learn To Draw" series as will, (hopefully) several of the others. (There was a parody of a Ken Burns documentary - complete with violin music - that was sheer genius!)

Enjoy!!

 (BTW I apologize in advance for some sloppy camera holding on my part and a couple people walking in front of me but one of the reasons I've posted this version is so that you can hear the crowd reaction.)

Reuben Weekend Boston Pics Round One...

So we're back and, awesome as the weekend was, the drive home (18 hours) has left me too exhausted to write much. So here are some pics to get things rolling....... (Don't forget you can enlarge them by clicking on them)

Arnold Roth and John at Sunday's "costume" dinner

This year John not only remembered to take a sketchbook, he remembered to ask folks to draw in it :-)

Martha and George. Wait..... is that "THE Jeffy?"

Accosting Reuben award winner Richard Thompson while he tries to eat...

OK, so he's not mad :-)


In the Venetian room there was this huge shell thing - that's Ed Steckley and his wife Heather.

Here we are in front of the darned thing but we have the good sense to be drinking. Venus di Vino?

How to make Anna Richmond happy....(I drove those truffles across 7 states)


Rick Kirkman, Richard Thompson, John, Jen Sorensen, Brendan Burford (apologies to Jen - I didn't get this pic with her eyes open)


Although John managed to....


Rick Stromoski and Tom Richmond (Tom can really rock that batsuit!)


Wouldn't be the Reubens without Karaoke - although I doubt it's been held in a room this sumptuous before...


John with Mark Parisi, Rick Stromoski, Dan Thompson, and I did not catch the other name - help someone?


Tux time!


Our son Kristopher in the lobby - elegant surroundings, elegant attire....


Kris got to meet Brad Anderson....


And Richard Thompson....


Our madcap son Alexander with the even more MADcap Sam Viviano...


John with Brad Anderson.


One more...... (BTW Brad's wife and I our knitting buddies, this is our 3rd Reubens talking all things knit and she's sending me a pattern....)


Sam Viviano,  John Read (the genius behind One Fine Sunday and Stay Tooned) and John


John with Norm Feuti and Ray Billingsley (Apologies to Ray for the half closed eyes but the other two pics they are all the way closed :-) )

More pics and some blogging tomorrow but now to bed. I'm toast!

At The Reubens in Boston

Due to a lack of a working laptop (somethng I have to save up my pennies to remedy) I am not able to do quality blogging on the road. I have lots of great photos from the Reuben Award Weekend this year but, since they were taken on regular cameras and not some sort of "smart" "instantly interface with the internet" device, I won't be able to upload anything until I return on Wednesday. (We drove - it's going to take a while to get back. Yes, I know we're crazy.)

And the ipad, while great for a lot of things, is no substitute for a laptop when it comes to blog posting. Most of the customizations I usually add to my posts do not register when using blogger or typepad. I am thinking about checking out wordpress and seeing if that is better.

Anyway, in lieu of blogging I have been tweeting. So, if you want the scoop on our last five days, go follow me on twitter. If you just click on my tweets you'll get a pretty good picture of what has been going on.

Congratulations to all the award winners - especially to Richard Thompson for winning the big Reuben Award. Muchly, muchly deserved.

Team Cul de Sac



Here is the piece that John did for Team Cul de Sac, a fundraising project for Parkinsons Disease that you can read about here.

Cartoonist Studio Contest Clarification

The Cartoonist Studio, of which John is a member, is running a contest for amateur cartoonists. The prize is a development deal with Creators Syndicate.

The judging is handled by Creators Syndicate with voting from the public. Studio artists are not judging this contest. If your strip has been eliminated, please do not assume that John or any of the other member artists were involved in its elimination.

You can read more about the contest here and here.

Best of luck to all the contestants!

When John Colors....





John colored this week's Sunday strip. I love this panel in particular. He has a much better sense of following a light source than I do :-)

Click here to see the whole strip.


Call For Entries - "Seriously Funny"


I just got an email from Ruby Thorkelson about a cartoon and comics show coming up. "Seriously Funny" will take place this Summer with jurying by cartoonist Isabella Bannerman. The deadline for submissions is May 11th. Below are the submission guidelines, which are also available through this link: http://www.womanmade.org/entryform.html They are open to both original work and reproductions. 

CALL FOR ARTWORK: "Seriously Funny"

Exhibition Dates: July 8 - August 18, 2011
Open to women artists from the international community whose work is expressed in cartoon-style format. Open to all themes. Please include an artist statement and a $30 entry fee. 



For Online Entries: Submit jpgs of three of your works on our website.


Mailed Entries: Mail slides or cd with images of up to three of your works, completed entry form, and a $30 entry fee to Woman Made Gallery, 685 N. Milwaukee Ave., Chicago, IL 60642.

Juror: Isabella Bannerman
Isabella Bannerman has been a cartoonist since 1987, when she won first prize in The San Francisco Bay Guardian Cartoon Contest. Her work has appeared in many publications, including Good Housekeeping,GlamourThe Funny TimesMamapalooza, and World War 3 Illustrated. A collection of her work, Pacifists in Bomber Jackets, was published in 1999 by Laugh Lines Press. Isabella has also worked as an animator, contributing to MTV; Pee Wee’s Playhouse; and the children’s TV show, Doug. For more information, visit the The Six Chix Blog.


Entry Deadline: May 11, 2011
Notifications: May 27, 2011

John's Studio

A Peek Inside The Cartooning Space of John Hambrock





One of the nicest things about the studio is the beautiful second story view of Lake Michigan. Yesterday, a boat went by the windows with a man sitting up on the top like the beginning of Pirates of the Caribbean. (The boat was on a trailer and headed for the marina)


Are You Reading Ollie & Quentin?


Are you reading Ollie & Quentin? If you're not, you certainly should be!! It is a gem of a strip that never fails to make me chuckle.

Piers Baker, the creative force behind the Laurel and Hardy styled antics of Ollie (a seagull) and Quentin ( a lugworm) has put up a very important post here about the future of his strip. Go read it and then make some noise about it!!!

When MyCage was cancelled there was a lot of moaning and groaning and gnashing of teeth directed at King Features for canceling it. That strip had a lot of fans but newspaper editors were not picking it up. If you like a strip, you - the fan - have a big obligation these days to make your voice heard. And if you cannot get your local newspaper editor to listen, you can at least make - yes, I said MAKE, the time to subscribe to your favorite strips on dailyink.

If you are a fan who loves a strip like Ollie & Quentin - don't run around reading it on the internet for free. PUT YOUR MONEY WHERE YOUR MOUTH IS, MAN UP, AND PAY THE #@$%ING $19.99 A YEAR TO SUBSCRIBE TO IT!!!!

I'll give you a little taste of O & Q and then you should toddle over to the dailyink site and get the strip sent to your email every day or else sign up for the iphone app.

(And subscribe to Edison, too while you're at it..........)





What's Really Going On....



It seems that NASA is having trouble communicating with the mars rover Spirit. Could the above strips have pegged the real problem?

Me and My Big Mouth

I'm probably putting my foot in it today over on the Daily Cartoonist by addressing the Scott Adams post. And I really shouldn't rise to the bait.

I cant seem to help myself.

Maybe therapy........

Or maybe, as Nicole Hollander said I just need to bang a pickle jar against a kitchen counter.....

I Loved Coloring This



As a rabid Chuck Jones fan, I really enjoyed coloring this one. I kind of wished we could have had a whole storyline play out from this point so I could color Marvin again :-)

Dave Kellet's Presentation st OSU Revisited

You may remember back in the fall I wrote down my thoughts about Dave Kellet's OSU presentation.  You can now watch an archived video of his presentation over on the Daily Cartoonist .

What We Call "Irony"



This strip ran in papers yesterday.

When it was written, over a month ago, there was no way to know that we would find ourselves having to go car shopping by the time it ran.

That would be because, when John wrote this one, he was happily driving a Mazda 3 that was two years away from being paid for. He had babied it. Every recommended oil change/tire rotation/you name it had been performed. I wrote about how much we loved the car last year.

He was going to drive it for years.

Until it got massacred by an inattentive driver. I'm not going to get into the whole "wrangling with the insurance companies" thing. (Even though, I'm pretty sure that when you get a citation saying the accident was your fault (her) and you also admit at the scene that you didn't see the other guy (also her), having your insurance company try to weasel out of full responsibility feels like dirty pool.)

Suffice it to say, the car is now totaled.

(To be fair, while it sounds dramatic, it's not as hard to total a car as it used to be.)

And I know that we should simply be counting our blessings that John is OK and it was, after all, only a car.

But this is not our first dance with the car totaling powers that be.

In 2003 our fabulous little Honda Civic - the car that not only got 40 miles to the gallon but was still going strong 5 years after we finished paying for it - was hit from behind by - you guessed it - an inattentive driver. She was actually turned around dealing with a kid in the back seat. Note to parents: if your kid is misbehaving so badly that you have to deal with him/her while you are driving, PULL OVER.

Totaled.

(Sorry, no pictures of that one.)

In 2005, I was plowed into by a woman that ran a stop sign. Because she was trying to cross a 4 lane divided road, she actually accelerated into me. I have a vague memory of the car spinning a few times before I hit a tree, took out some of a fence, and came to rest over a municipal gas line. Note to accident victims: if you're conscious, remember to turn off the car. You never know what you're sitting on. I did see her coming for me and had a split second in which I could accelerate and change the point of impact. The rescue team said it probably saved my life. I actually walked out of the wreck with only minor injuries. But, once again....

Totaled.



Which brings us to John's accident 3 weeks ago which produced this:



One of my harp students said to me "What is it with you guys and your little cars?"

I have a theory. We live in a state where, after you take your initial drivers license test, both the written portion and the "on the road" exam, you never have to take them again. You just show up, pay the fee, take the vision test,  get a new license and go on your merry way. Not like in the old days where you had to, every few years or so, take another road test. In some cases you can even do it by mail if you have a valid eye doctor's note from the last 3 months stating that you can see to drive.

So my theory is this: NO ONE KNOWS HOW TO DRIVE ANYMORE.

Every one of these accidents could have been prevented by the at fault drivers simply paying attention to their surroundings and being aware of the laws of right of way. In each case not only were the other drivers ticketed, we can't think of a single thing we could have done defensively to get out of their way.

So, we are off car shopping - again.

I think we're going to look for a car encased in bubble wrap.

Another Actual Behind The Scenes Conversation

Well, I was going to give you a peek into our lives complete with a copy of yesterday's strip but blogger is not allowing me to post any images today so you will have to click here.

Delirium

Some animations are in the works for Edison - more news as we have it - and we are struggling through those pesky voice issues. You know, what the heck do these characters sound like, anyway.

Well, in a fever induced delirium in the middle of the night (John is battling a nasty chest cold) Edison started talking to John and the voice he should have was as plain as day. Only in the middle of the night... maybe it was as plain as night.....

Anyway, it was crystal clear. And he turned to me and said - I know what Edison should sound like. And that quickly it was gone.

And will probably never come back.

C'est la vie.

In other news, the gorgeous Reuben art of Tom Richmond is out and we are very flattered to see Edison on there.




Latest Issue of Stay Tooned



Yea - it's here!

Our latest issue of John Read's terrific cartooning magazine "Stay Tooned" came in the mail today and, as always, it is jam packed with great stuff! (Including a piece by John - part of his syndication story)

Order your copy today!

I can't wait to finish photoshopping and settle in with ours tonight.

"Copyright, Schmopyright"

As reported by The Daily Cartoonist here and here, Tom Batuik, creator of Funky Winkerbean, recently took legal action against a blog that was reprinting his work in violation of copyright. In reading through the coverage and some of the readers comments, I found some statements that I feel are worth examining.

First from the blogger himself:

"I'm still reeling from having the plug pulled, then was feeling great about being able to move the blog so quickly. Now I'm feeling pretty anxious. I don't have a lawyer, I (obviously) don't have a deep knowledge of copyright, and really don't need to get sued."

I have a couple of issues with this statement.

Firstly, as a Wordpress blogger, he had to agree to the Wordpress terms of use which state clearly (as do Blogger, Typepad, Youtube) that you agree only to post content to which you own the rights. Systems like Wordpress and Youtube exist to give creators of intellectual property a forum in which to present their own work. This forum is not a place in which to exhibit the work of other creators with no thought to their rights. You don't have to be a copyright genius to know that "© 2011 Batom inc. Distributed by North American Syndicate. All Rights Reserved." means the material is copyright protected. If you are not the owner of that copyright than you cannot post that material on your site without paying royalties.

There can be exceptions to this under the terms of fair use (an overview of which can be found here). It took me a mere 25 seconds of searching to find this information on wikipedia and one doesn't have to be a legal scholar to decipher the following excerpt:

Notwithstanding the provisions of sections 17 U.S.C. § 106 and 17 U.S.C. § 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:
  1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
  2. the nature of the copyrighted work;
  3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
  4. the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.[1]

Without any legal expertise on my part, it still seems fairly clear to me that the blog in question is in violation of 1, 3, and 4.

So my second issue with the blogger and his statements is that he did not do his homework before launching this blog, regardless of how long ago he put up his site.

My third issue is that this blog exceeded fair use by concentrating on only one comic feature (rather than several as the comics curmudgeon does) and that the blogger posted every strip every day.

Now to some of the sentiments expressed in the comment section:

"I'm not opposed to him protecting his "copyright" (whatever that is, these days, in whatever country). He is welcome to hunt down whatever non-profit websites he chooses. (In fact, I'd be curious to know whether or not he's gained MORE readers resulting from the said blog, but I suspect that it's besides (sic) the point in this instance."

Where to begin.

Firstly, the commenter does have a legitimate point in that copyright of intellectual property of all types has a major problem in the global marketplace. It is most definitely true that laws vary from country to country and that some international standardization needs to be implemented. However the comment feels fueled by the sentiment "I know I'm violating your rights but your laws have no teeth so just try and stop me!"

Which is tantamount to saying - "I know that car is yours, but there are no police around here to keep me from taking it from you - get out and give me the keys."

Secondly, the statement about more people reading the strip demonstrates a serious lack of understanding  of the economics of being a creator. So more people read the strip. So what? Are those people paying to read the strip? If not, then what good are they? Is their enjoyment of the strip being subsidized by advertising revenue on the site that could be channeled back to the creator? If not, I say again, what good is that kind of readership?

As a creator of artistic content, you can only make money a couple of ways - from people who pay you directly for your work, (yes this includes t-shirts and mugs that bear your work - even if you let folks view your strip for free) or people who pay you indirectly for your work through ad revenue or royalties or both.

And here, I'd like to take a minute to unclear the muddy waters of syndication. Syndicated artists are not paid a salary. They are only paid a portion of the revenue from sales of their work. For instance, if a newspaper pays you $10 a week (which is pretty much the average, BTW) to run your strip, the syndicate gets part of that $10 and you get part of it. What the actual rate is and what the split is varies depending on the syndicate and the size of circulation. Some syndicates do pay a minimum royalty to their creators but, trust me, this is not an amount you would like to try and live on.

From another commenter:

"You can't stop the internet. I know people are talking about "net neutrality" and "The Big 'OFF' Button" elsewhere, but the fact remains that the internet has and is still changing the way media is distributed. If Tommy thinks most people will pay DailyINK.com 20 bucks a month for access to his 'toons, he better think again. It's way too easy to get the same thing for free with very little effort."

Firstly, I love how she is on a first name basis with Mr. Batuik. John is syndicated with King and does not yet have that privilege.

And, for the record - Dailyink is $20 a year not $20 a month. And it gets you access to over 70 comics not just one. And there are no ads. And it's a great app - go here and buy it.

Also for the record, you can read any King strip for free every day at Comics Kingdom. It is free to you, the reader, because it is ad revenue supported.

Anyway, this idea that you "can't stop the internet" and therefore this kind of behavior acceptable is ludicrous. As I mentioned before, just because you can get away with jacking my car doesn't make it right. And it actually is possible to get a handle on the internet to some degree and get things back on the right track so that creators are not getting screwed six ways to Sunday.

1) Form a global committee on intellectual property rights and establish a clear set of laws that apply internationally.

2) Enforce existing copyright laws against all web hosting services. Wordpress pulled that blog down jiffy quick because A) they knew the blogger was in the wrong and B) they didn't want to get sued themselves. Take note all of you that run blogs, you will see more of this sort of thing as creators get fed up and pursue their legal rights. Your server will cave and leave you out in the snow in your underwear. Count on it.

3) All copyrighted content should be write protected in a way that it cannot be scraped without compensation. I know this can be done because, in posting images on my blogs I have already encountered files I could not copy. To make this truly workable, however, a system of compensation needs to be established. I would like to see a micropayment system - maybe linked to paypal or some other account. When you attempt to drag and drop an image, you would get a dialogue box: "This image is copyright protected. Use of the image is available to you for a fee of .03 chargeable to your paypal account. Do you accept these terms and wish to proceed?"

Sure, you will have dedicated hackers that will find a way around that, but their action will be clearly illegal, and therefore, punishable by anyone who has the resources to enforce the law.

(Disclaimer - I frequently scrape comics and photos to illustrate my blog posts. If such a system were in place, I would happily pay the fee for proper use. As it is, I am careful never to exceed the fair use terms stated above.)

My overall take on the situation is this. For the last 10 years the internet has existed in what I like to think of as its "Wild West" phase. A lot of stuff has flown under the radar. And that has given rise to the belief that copyright doesn't matter anymore.


But the winds of change are on the horizon. You will see more actions of this type as creators decide to enforce their rights. Ten years from now, there may very well be a few new sheriffs in town.

Spot The Cartoonist




Don't forget - I also run a blog called Spot The Cartoonist. It is a site devoted exclusively to publicity for cartoonist appearances. The appearances can be book signings, lectures, workshops, Q & A, exhibits of work with opening receptions - you name it.


It turns out cartoonists are running around appearing all over the place so, if you are a fan - (or fellow cartoonist interested in connecting with other cartoonists) this is the site for you to find out if anyone is appearing near you. The site has many ways to find appearances - there are tabs for monthly schedules, cartoonist name, and exhibit name, and also categories listings for geographical region.


You can keep up with all the current postings by subscribing to the blog's feed, going to the Spot The Cartoonist facebook page, or following me on Twitter.


I am posting new things all the time - sometimes several times a day during a busy week - so subscribing to the feed is probably your best bet for staying caught up.


So - if you are a cartoonist with an appearance to plug, check out the site and email me with your details and I will get them posted as soon as I can.


And a big thank you to the cartoonists that have put links to STC on their sites:  Paul Gilligan (Pooch Cafe), Sandra Bell Lundy (Between Friends), Norm Feuti, (Retail), Terri Libenson (Pajama Diaries), Hilary Price (Rhymes With Orange), Mike Rhode (Comics DC) and Peter Guren and all the fine folks at The Cartoonist Studio.


Another big thank you to my twitter followers and retweeters:  especially Tom Racine (Tall Tale Radio), Mike Witmer (Pinkerton), Jeff Koterba (Inklings and Editorial Cartoons) and Mark Thompson

John's Process (Updated)



There is a nice discussion going on over at the Daily Cartoonist about cartoon geek stuff like inks, brushes and papers and also a wonderful little video of Mike Cope that shows his inking technique. We also have the terrific video podcast interview of Mark Tatulli in which he shows quite a bit of his process, tools and technique. And when Cathy Guisewite was generous enough to allow the entire NCS into her house in 2009, I got to see her studio and the whole production process for Cathy strips.

All this has me thinking about John's process for creating Edison and how much I take for granted that his method is universal to the cartooning profession. I am finding that it is not. Some folks use brushes, others pens with nibs, micron pens, brush pens, #2 pencils, non photo blue pencils, you name it. A number of people seem to use lightboxes and tracing techniques. And many cartoonists now do everything completely digitally with drawing tablets. And, when I saw the Exhibit "One Fine Sunday in the Funny Pages" I got to see the variety in sizes of originals - this case shows a good range  from large to small.



John's process is pretty simple. He writes up his scripts on the computer and prints them off for later - when he doesn't have access to a computer and writes on paper, he finds it is much more difficult to quickly follow a thought for editing or punching up a joke a little.

Next, he cuts down his boards - he uses an 11x17 pad of Beinfang heavyweight smooth surface carton bristol and cuts it in half for two dailies per page.

He then lays out the gutters in pencil - John works in many panel formats, some jokes are 3 panels, some 4, occasionally 2 and, very rarely, one large panel, all the panel decisions are made in the script stage.

Next are pencil roughs - and by roughs I mean rough. Vague heads and gesture bodies for composition and position. (This is generally the point at which I hear swearing. Which would be because of the poor quality of today's #2 pencils and the even poorer quality of today's erasers. The erasers are particularly vexing as they always seem to be falling apart and falling off the pencil. Thank goodness for his art erasers.) At this stage, the size and location of the word balloons is determined. He lays down pencil rules for inking the dialogue and hand letters it, first in pencil, and then with a rapidograph pen.

Then comes a fairly tight, but not too dark, pencil sketch with all the details - both the people and the props.

Once a strip is fully pencilled, he inks over everything with a Winsor & Newton Scepter Gold II sable synthetic brush - either size 1 or size two as needed for filling or detailing and Speedball super black india ink. He tried brush pens but was disappointed both with the quality of the black color and the longevity of the pen tip.

Finally, he erases any pencil still showing, scans them into the computer for separation into layers and copies them over to my computer for photoshop coloring.

The only computerized part of the process is the photoshop color (my job) and the prepping for the syndicate needed for newspapers. And - I'm going to brag on him here - his originals are extraordinarily clean. I almost never see any white out except for the occasional tidying up of gutters.

I must confess - when we got married, John had all this incredible fine art he had done - paintings, drawings etc. and when he started doing graphics full time, I really lamented the fact that he hardly did any art anymore that I considered "hands on". It was all about composition and layout and color at the ad agency. One of the things I love most about the comic strip is watching him create these beautiful little paintings every week.

A word about digital tablets. For 4 years I colored every Edison strip with a mouse. It didn't bother me that much to work with it but it did give me terrible hand cramps after long coloring sessions. About 5 months ago I acquired a wacom tablet and started using that. What I like about it - better line control when I have to add lines close fields, better control in tiny areas (and John gives me a lot of them sometimes) great airbrush control and less hand cramping. What I don't like about it. Drawing with the thing just doesn't feel right and I don't like the look of the line I get. Perhaps, with a better pen tool and more practice, I would change my opinion about that, but for now I like it much better for filling in John's color than for creating my own art. But then, I'm a diehard pencil fanatic. I do very little with a brush.

And finally, here is where the magic happens.




I know, I know - he has a gorgeous studio downtown with a fabulous drawing board. Which he does use. But the truth of the matter is that the lion's share of the inking winds up happening here - in our family room, on an old sewing machine table. And that is because - working almost 24/7 as he does, the only way he gets to spend time with us is to do some of his work alongside us. Watching Star Trek.

Update - I just realized that I left out the photo of the "One Fine Sunday" exhibit. I have put it into the body above where it belongs.

Pack Attack



What can I say? There be a whole lot of celebratin' goin' on in our town today. And for who knows how long after that.

There is life after Brett Favre.

Diary Of A Blizzard



Wow!! What a freakish snowstorm! I have written a blow by blow account of sorts on my Overbooked Blog here.